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4 Posts authored by: Sarah Lepianka Expert

Navy photographer, PH1 Greg McCreash, downloads a Kodak DCS 420 digital camera into the Electronic Imaging Center (EIC) while deployed to Zagreb, Croatia in support of Operation Joint Endeavor. Local Identifier: 330-CFD-DD-SD-99-03481.jpeg, NAID: 6503275.

 

With the move to a digital world, photography follows suit. Born-digital photography is becoming increasingly popular and prevalent. The term “born-digital” is just as it sounds. It means the files themselves were created and exist only in digital form, taken by a digital camera. There are no original copies of the photographs in analog–or physical–form.

 

The Still Picture Branch at the National Archives and Records Administration (NARA) accessions new photographic records from various Government agencies every year. With NARA’s goal to transition to electronic records, born-digital photography will soon be the most widely accessioned material in the Still Picture Branch.

 

While the transition to a digital copy may be daunting, there are many positives to born-digital photography. A clear positive for digital copies is that physical space is no longer the largest obstacle for housing records, however, one of the lesser-thought of positives is embedded metadata. Similar to a hand-written caption on the back of a photographic print, embedded metadata can provide identifying information found within the digital file.

 

There are three specific types of embedded metadata that are relevant for a born-digital photograph. First, there is EXIF Data (Exchangeable Image File Format), which is automatically generated in an image file by the camera that captured the photo, and usually includes technical data such as aperture, shutter speed, pixel dimensions, or date taken. Next is XMP Data (Extensible Metadata Platform) that encompasses the technical data created by an Adobe System (Photoshop, Bridge, Acrobat, etc.) to standardize the metadata as a whole. Finally, IPTC Data (International Press Telecommunications Council) is some of the most useful metadata because it includes information such as the creator’s information, copyright information, descriptions or captions, and more. It’s important to note, however, that not every single born-digital photograph will include all or any of the above metadata types.

 

First and foremost, let’s discuss how to find embedded metadata in a file. The metadata itself will not be seen in the image, however, it can be found in the file’s information, or properties. Accessing each file’s information is different on a PC or Mac, which we will outline below. However, the examples within this post display the metadata available via programs native to each operating system. In most cases, more metadata can be viewed using professional imaging software.

 

 

ACCESSING FILE METADATA ON A PC

 

Select the file you would like to review in “File Explorer.”.

 

Right click the file name and select “Properties.”

 

A box will pop up that includes various information about the file, and you should select the tab labeled “Details.”

 

In the “Details” tab, you will find all the relevant embedded metadata. Please note that not every field will be included. Some files may only include information such as file size or resolution, however, others could include detailed information such as title, authors, copyright, etc.

 

 

ACCESSING FILE METADATA ON A MAC

 

Select the file you would like to review in “Finder.”

 

After highlighting the file, press “Command + I.” OR Right click (Control + Click) and select “Get Info.” OR Highlight the file and navigate to the top bar and select “File,” then “Get Info.”

 

In the new window you can view the different tabs at the top with all the relevant metadata.

 

 

EXAMPLES

Now, let’s review metadata for born-digital photographs found on our online catalog within the holdings of the Still Picture Branch. From the metadata, we can re-trace our steps to the catalog. Ultimately we can use this information to locate where the photo is held and if there is any other identifying information in the catalog, that may not be in the metadata.

 

 

Scrub Jay, Western, Local Identifier: 022-DP-00417.jpg, NAID: 166690574.

 

 

 

First, we see a photograph of a blue bird on a tree. If we look at the metadata, the title is listed as “Scrub Jay, Western,” which tells us the type of bird we see. In addition, in the tags is the name “Karney,” which is the photographer. Lastly, we can see the photo is dated as taken on March 12, 2004 at 4:27pm. If we search our online catalog for “Scrub Jay, Western,” we will come across this specific image, as well as other related photos.

 

 

 

Women’s Bureau – Women’s Leadership Forum with Dr. Bae-Young Lee of Ewha Women’s University in Seoul, Korea, Local Identifier: 174-CD-L-08-05-06-A_0027, NAID: 162905531.

 

 

 

Next, we find a photograph of what looks like an official meeting at a conference table. By just looking at the photograph, we do not know who is depicted or what is being discussed. However, upon inspecting the embedded metadata, we learn much more about the photograph. In the “tags” we see a variety of related information: “Dr. Bae – Young Lee; Seoul. Korea; Shinae Chun; Women’s Bureau; meets with; of Ewha Womans University; forum; wb;.” From this information and the included date, we can gather this was a meeting at the Women’s Bureau on May 6, 2008 with the director Shinae Chun and Dr. Lee Bae-Young, the president of Ewha Womans University in Seoul, South Korea. While we can note that Dr. Lee Bae-Young’s name is mislabeled in the metadata, if we search the catalog for “Dr Bae-Young Lee” we see one file unit with numerous photographs of this specific meeting.

 

 

Zierra Bennet pets a therapy dog (Skyler) in the Red Cross Center in West Moore. Local Identifier: 311-MAD-71524.jpg, NAID: 24479177.

 

 

 

Another photograph to review is an image of a child petting a dog. From the photo alone, we cannot know the full context of what is depicted. In the metadata the full title reads “The Moore area was struck by a F5 tornado on May 20, 2013. Andrea Booher/FEMA.” While this does not give us exact information about this specific photograph, we can gather it has to do with a tornado that hit Moore, Oklahoma in 2013 and the Federal Emergency Management Agency’s (FEMA) response.  If we search “Moore area” within Record Group 311: Records of the Federal Emergency Management Agency in the holdings of the Still Picture Branch, we find numerous photographs of the recovery effort, including this photograph captioned as “Moore, Okla., June 7, 2013 — Zierra Bennet pets a therapy dog (Skyler) in the Red Cross Center in West Moore.”

 

 

[Archives 2 Facility Views:] Archives 2, early 2001. Local Identifier: 64-CFDA-20010524A-18, NAID: 184340839.

 

 

 

While some images may be easy to identify by some, it helps to review the metadata to learn more. This photograph shows the National Archives and Records Administration building in College Park, Maryland. For NARA, the most recognizable building may be the location in downtown Washington, D.C. However, the metadata for this photograph indicates in the Title field this is “Archives II, early 2001.” The Archives building in College Park is commonly referred to as “Archives II,” or even “A2,” so the metadata helps identify the building, even if you haven’t seen it before. Instead of using “II” to search, if we search “Archives 2 early 2001” in the catalog, we find the exact photograph.

 

 

Archives 1 Building Details. Local Identifier: 64-CFDA-20061024-01-002, NAID: 184340933.

 

 

 

Switching gears, the next photograph shows a statue with the words “What is Past is Prologue.” The Title in the metadata reads “A1 Building Details,” which indicates this statue is in front of Archives “1” or the National Archives building in downtown Washington, D.C. If we search “Archives 1 Building Details,” we find a file unit with numerous photographs, including the photograph of the “Future” statue. To read more about the statues at the National Archives building downtown, see our blog post titled The National Archives’ larger-than-life Statues.

 

These are just some of the few examples of born digital photography and their associated metadata. By reviewing and critically analyzing the associated metadata, we can trace our steps back to where the photograph originated.

 

 

The photographs included in this post have no known copyright restrictions. If you have any questions about the images in this post or the holdings of the Still Picture Branch, please contact us at stillpix@nara.gov.

 

PUBLICATION OF PHOTOGRAPHS FURNISHED BY THE NATIONAL ARCHIVES STILL PICTURE BRANCH-RRSS

Generally, copies of photographic records held by the National Archives may be published without special permission or additional fees. The National Archives does not grant exclusive or non-exclusive publication privileges. Copies of Federal records, as part of the public domain, are equally available to all. A small percentage of photographs in our holdings are or may be subject to copyright restrictions. The National Archives does not confirm the copyright status of photographs but will provide any information known about said status. It is the user’s responsibility to obtain all necessary clearances. Any use of these items is made at the researcher’s or purchaser’s own risk.

 

Proper credit lines are encouraged in the interest of good documentation. They also help inform the public about government photographic resources that are available.

 

*Because so many of our requests for information cite credits and captions that appear in published works, the inclusion of a photo number in hard copy and electronic publications is of great assistance to both us and the public.

 

Examples of preferred credit lines are as follows:

  • National Archives photo no. 80-G-32500
  • Credit National Archives (photo no. 306-NT-186000)
  • Courtesy National Archives, photo no. 26-G-3422
  • National Archives (111-SC-202199)

 

If using a large number of our images, the National Archives will appreciate receiving copies of publications that contain our photographs. Such copies can be sent to the Still Picture Branch or the Library, National Archives and Records Administration.

 

You can also find this blog post on the Unwritten Record.

 

For more posts in the Visual Cues and Clues series see our posts titled:

Aquarius Plateau. J.K. Hillers at work (as photographer). Local Identifier: 57-PS-809, NAID: 517983. This image is cropped from the original.

 

When you think of photographic negatives today, perhaps you imagine flexible, plastic-like film. However, some of the earliest negative images would be found on glass. Glass served as a viable support to capture the photographic image on during the early forms of photography. High quality glass was typically selected for its flawless and transparent properties. Earlier on, glass was usually cut by hand, which could result in roughly cut edges or an irregular shape. Later on as the process was further improved upon, glass plates were manufactured by machines on a larger scale. In all cases, glass supports had to be treated, cleaned, and polished so that the emulsion–the image layer–would adhere. A photographic emulsion is a light-sensitive coating found on a support; in this case–on glass. To learn more about early 19th century photographic processes, see our detailed blog post.

 

While it can be obvious in person that you are viewing a glass negative, there are a few hallmarks or signs to look out for when you’re exploring digitized collections online. Oftentimes–for better or worse–the most obvious markers are the deterioration you see on the image itself.

 

 

First, the most obvious sign that you are viewing a glass negative is if you see signs of damage to the glass itself. This can be most seen in cracks in portions of the glass, or fully shattered images. In the image below, you can see the left portion of the photo is unfortunately almost completely shattered glass.

 

Moveable Dam: Downstream Face of Girders In Place. Local Identifier: 77-SOO-631, NAID: 45711853.

 

Next, you can notice emulsion deterioration, which can look like crackling or missing portions of the image. The emulsion is the image layer itself, coated on the glass support. Usually you can notice any emulsion deterioration in the corners or edges of the photo. Sometimes you can even notice scratches in the image, which indicates damage to the emulsion.

 

Below you will see a glass plate with portions of the emulsion damaged and flaking at the top and along the right side, which appears as crackling lines in the image. In addition, you can see portions of the emulsion are missing, which looks like parts of the image itself is missing. This is best seen in the black section above the “L” at the top of the photo.

 

J.L. Appelby. Local Identifier: 24-PA-A-16, NAID: 148952698.

 

 

Close up of the cracking emulsion on 24-PA-A-16.

 

Another interesting marker is information purposely scratched into the emulsion. Because sometimes identifying information could be separated from the image, oftentimes caption information would be etched into the corners of the photo. In addition, the words will usually appear backwards because of how the image/emulsion is adhered on the glass. In the example image below, you can see the words “Gun [Boat] in the James near Aikens Landing” written at the top.

 

Monitor “Saugus” at Aikens Landing, James River. Local Identifier: 111-B-398, NAID: 524818.

 

 

Close up of the written information on 111-B-398.
Please note this image has been reversed and cropped from the original.

 

Lastly, one of the harder to find hallmarks are the fingerprints of the photographers themselves. In the early processes of developing images on glass, occasionally photographs would accidentally touch the developing emulsion. If they touched it at just the right moment, it would leave a fingerprint in the image. While not all glass negatives will have this marker, it is interesting to find in some images. Included below is a photograph that shows extensive damage to the glass in the left corner, as well as the emulsion, which includes two fingerprints in the top right corner.

 

Hon. Richard C. McCormick. Local Identifier: 111-B-3225, NAID: 527410.

 

 

Close up of fingerprints seen on the emulsion layer.
Cropped from the original 111-B-3225.

 

In the Still Picture Branch at the National Archives and Records Administration, we have a large number of glass negatives in our holdings. As we work to digitize our holdings, you will continue to see digitized versions of our glass records in our online catalog. These tips will help you better judge if the images you’re seeing online are glass negatives.

 

RELATED BLOG POSTS

19th Century Photographic Processes and Formats

Still Picture Branch Artifacts

 

SOURCES

Graphic Atlas, Image Permanence Institute

 

 

The photographs included in this post have no known copyright restrictions. If you have any questions about the images in this post or the holdings of the Still Picture Branch, please contact us at stillpix@nara.gov.

 

 

PUBLICATION OF PHOTOGRAPHS FURNISHED BY THE NATIONAL ARCHIVES STILL PICTURE BRANCH-RRSS

Generally, copies of photographic records held by the National Archives may be published without special permission or additional fees. The National Archives does not grant exclusive or non-exclusive publication privileges. Copies of Federal records, as part of the public domain, are equally available to all. A small percentage of photographs in our holdings are or may be subject to copyright restrictions. The National Archives does not confirm the copyright status of photographs but will provide any information known about said status. It is the user’s responsibility to obtain all necessary clearances. Any use of these items is made at the researcher’s or purchaser’s own risk. Proper credit lines are encouraged in the interest of good documentation. They also help inform the public about government photographic resources that are available.*Because so many of our requests for information cite credits and captions that appear in published works, the inclusion of a photo number in hard copy and electronic publications is of great assistance to both us and the public. Examples of preferred credit lines are as follows:

  • National Archives photo no. 210-G-C241
  • Credit National Archives (photo no. 83-G-41368)
  • Courtesy National Archives, photo no. 83-G-41430
  • National Archives (210-G-A14)

If using a large number of our images, the National Archives will appreciate receiving copies of publications that contain our photographs. Such copies can be sent to the Still Picture Branch or the Library, National Archives and Records Administration.

 

 

You can also find this blog post on the Unwritten Record.

 

For more posts in the Visual Cues and Clues series see our posts titled:

Photograph of Researcher in the Central Search Room of the National Archives Building

Photograph of Researcher in the Central Search Room of the National Archives Building. 64-PR-20-1, NAID: 74228254

 

In this edition of Visual Cues and Clues, let’s step outside the box and explore photographs from a different angle. Instead of looking at what’s in the photograph, let’s explore what’s on the photograph. Markings, emblems, and logos sometimes lend a wealth of information that may not be identified through what is depicted in the image. Moreover, sometimes you can track down the archival institution that houses a photo you found online or in a book by simply examining what markings you can find on it.

 

Emblems, logos, and a variety of markings can take any shape or form. They can be an agency’s logo to a specific photography unit’s emblems. Even hand written information can serve as helpful clues. The information gleaned from what can be found on the photo can be used to locate the archival location of the image as well as understand the context around when it was taken.

 

If you’re looking for information on the photo, typically it will be marked in the corners or along the sides of the image. This is so it does not take away from the overall photo. Let’s take a look at some photographs within the holdings of the Still Picture Branch that have information on the photo and see what we can learn!

 

World War II Solider Reading with Two Women

Dachen with Peter Pantelone and Melle Paule Magure holding a conversation with the aid of a GI French Book. 111-SC-191373, NAID: 100310370

 

WHAT DO WE SEE ON THIS PHOTOGRAPH?

1. A logo in the bottom left corner that reads “Signal Corps, US Army.”

 

The United States Army Signal Corps have long been the units responsible for photographing military activities, especially during wartime. In this photograph from World War II, you can see the Signal Corps emblem in the bottom left corner of the photograph. While not every single Signal Corps photograph includes the emblem, this marking is a great way to identify the image and where it may be located. Since the Signal Corps was a US Government organization, it is no surprise their photographs are found within the holdings of the Still Picture Branch at the National Archives.

 

Close up of 111-SC-191373. Text reads: ETO-HQ-44-7086

 

 

2. A handwritten number along the bottom that reads “ETO-HQ-44-7086."

 

While not the most straightforward marking to the casual viewer, oftentimes numbers written on a photo may indicate the photo’s identifier number. Each identifier number is different depending on where they originated and who used them, but would typically be used to locate the photograph amongst a large collection of photos. In this case, this number–ETO-HQ-44-7086–is a field number used by the Signal Corps. The Signal Corps would assign a photograph a field number shortly after taking the image, then when it was processed by the Army, it would be assigned an official Signal Corps–or SC–number. Unfortunately, there is no way to locate photographs by the field number today, and we only use the official SC number in the Still Picture Branch.

 

 

Administrative Structures - Montana

Administrative Structures – Montana. 95-GP-5322-210950, NAID: 7047496

 

 

WHAT DO WE SEE ON THIS PHOTOGRAPH?

Close up of 95-GP-5322-210950. Text reads: U.S. Department of Agriculture, Forest Service.

 

Luckily, this photograph includes a full caption in the top right corner that gives us context as to what is depicted. The biggest clue, however, comes from the stamp along the left side that reads “U.S. Department of Agriculture, Forest Service.” While we may not always get as lucky, this stamp easily indicates the photograph is likely found within the records of the Forest Service. Because the Forest Service is a Government agency, their permanent photographic records are typically found within the holdings of the Still Picture Branch.

 

 

Photograph of Ambulances Lined Up Awaiting the Arrival of the USS Tranquility (AH-14)

Photograph of Ambulances Lined Up Awaiting the Arrival of the USS Tranquility (AH-14) 80-GK-5978, NAID: 148728734.

This photograph has been digitally altered to improve the visibility of the writing along the side.

 

WHAT DO WE SEE ON THIS PHOTOGRAPH?

 

There are four distinct features written along the edges of this image that lend a lot of context to the photograph. They include:

 

Close up of anchor on 80-GK-5978.

 

1. In the top right corner we can spot a small anchor. This could mean the photograph is related to the sea.

 

Close up of 80-GK-5978. Text reads: Official US Navy.

 

2. While we cannot decipher the meaning of the handwritten text that reads: “Mull 6,” we can see “Official US Navy” written along the bottom right corner. This text, paired with the anchor, gives us the largest clue that this photograph was taken by the US Navy, whose records are usually found in the Still Picture Branch.

 

Close up of 80-GK-5978. Text reads: Ansco Safety Film.

3. Now that we understand who created this photograph, we can learn how they created this photograph by noting the text written along the left side. The text reads, “Ansco Safety Film,” which is the type of film used to create this image. Since we know it is film, we can tell this is a color transparency as opposed to a photographic print.

 

Close up of notches on 80-GK-5978.

 

4. The last clue on the photograph are the small notches in the left corner. Notches in film were used to identify the type of film and the date of its manufacturer. While it may be difficult to decipher the notches today, these markings further reinforces our idea that this is a color transparency.

 

 

"Become a nurse - Your country needs you"

“Become a nurse – Your country needs you” 44-PA-135, NAID: 513583

 

WHAT DO WE SEE ON THIS POSTER?

 

After examining this poster, the two places to look for information are the top and bottom...

Close up of 44-PA-135. Text reads: Federal Security Agency, U.S. Public Health Service.

 

At the top…We see a marking that reads “Federal Security Agency, U.S. Public Health Service.” While the nurse depicted in the poster illustrates the importance of health, there is no doubt this poster originated from the US Public Health Service.

 

 

Close up of 44-PA-135. Text reads: OWI Poster No. 22. Additional copies may be obtained upon request from the Division of Public Inquiries, Office of War Information, Washington, D.C.

 

Close up of 44-PA-135. Text reads: U.S. Government Printing Office: 1942-O-498483.

 

At the bottom… We read “OWI Poster No. 22. Additional copies may be obtained upon request from the Division of Public Inquiries, Office of War Information, Washington, D.C… U.S. Government Printing Office: 1942-O-498483.” While not as obvious, this indicates the poster was created as part of the war effort because it originated from the Office of War Information. Moreover, the poster was published by the Government Printing Office, which means the Government directly influenced the dissemination of this poster, and its official record copy can be found in the holdings of the Still Picture Branch.

 

 

Official Flag Raising on Iwo Jima

Official Flag Raising on Iwo Jima, 127-GW-319-113127, NAID: 175539289

This photograph has been cropped from its original mount. To view the full mount with caption, please visit our online catalog.

 

WHAT DO WE SEE ON THIS PHOTOGRAPH?

 

After looking at this photograph, we spot a long string of information along the left side that reads: “T.Sgt. J.A. Mundell. 21st Marines. 3d Mar. Div.”

 

Close up of 127-GW-319-113127. Text reads: T.Sgt. J.A. Mundell. 21st Marines. 3d Mar. Div.

 

Without even looking at the caption, we now know the photographer of this photo is Technical Sergeant J.A. Mundell. Mundell was part of the 21st Marine Regiment, which is part of the 3rd Marine Division. If we wanted to research further, we could follow the history of the 21st Marine Regiment and learn more about T.Sgt. Mundell, as well as view other official Marine Corps photographs found in the holdings of the Still Picture Branch.

 

 

 

The photographs included in this post have no known copyright restrictions. If you have any questions about the images in this post or the holdings of the Still Picture Branch, please contact us at stillpix@nara.gov.

 

PUBLICATION OF PHOTOGRAPHS FURNISHED BY THE NATIONAL ARCHIVES STILL PICTURE BRANCH-RRSS

 

Generally, copies of photographic records held by the National Archives may be published without special permission or additional fees. The National Archives does not grant exclusive or non-exclusive publication privileges. Copies of Federal records, as part of the public domain, are equally available to all. A small percentage of photographs in our holdings are or may be subject to copyright restrictions. The National Archives does not confirm the copyright status of photographs but will provide any information known about said status. It is the user’s responsibility to obtain all necessary clearances. Any use of these items is made at the researcher’s or purchaser’s own risk.

 

Proper credit lines are encouraged in the interest of good documentation. They also help inform the public about government photographic resources that are available.

 

*Because so many of our requests for information cite credits and captions that appear in published works, the inclusion of a photo number in hard copy and electronic publications is of great assistance to both us and the public.

 

Examples of preferred credit lines are as follows:

 

  • National Archives photo no. 210-G-C241
  • Credit National Archives (photo no. 83-G-41368)
  • Courtesy National Archives, photo no. 83-G-41430
  • National Archives (210-G-A14)

If using a large number of our images, the National Archives will appreciate receiving copies of publications that contain our photographs. Such copies can be sent to the Still Picture Branch or the Library, National Archives and Records Administration.

 

You can also find this blog post on the Unwritten Record.

 

For more posts in the Visual Cues and Clues series see our post titled "Visual Cues and Clues: Picking the Right Record Group for Still Pictures."

Photograph of Josephine Cobb inspecting a Mathew Brady photograph.Photograph of Josephine Cobb holding a Mathew Brady photograph. Local Identifier: 64-NA-1595, NAID: 12169321.

 

Finding a specific photograph on the internet can be easy. Finding a specific photograph within the holdings of the National Archives can be trickier. If you have a specific photograph you found in the course of your research and it is attributed to the National Archives, this “Visual Cues and Clues” guide to picking a Record Group may help you determine where exactly that photo is. While the National Archives and Records Administration has many different units and locations that house photographs, the Still Picture Branch is solely dedicated to housing photographs. Keep in mind that photos can also be located at Regional Facilities, Presidential Libraries, or even Textual Records.

 

If you have a specific photo you are trying to locate and don’t have detailed citation information, there are a few things you can do to research where exactly the photo may be located. The Still Picture Branch houses roughly 17 million photographs–both analog and digital–which cover a wide variety of Record Groups. At the National Archives, Record Groups serve as a way to organize records into specific groups based on which Government Agency created, maintained, or arranged those records. In order to find any photos within our holdings, it helps to have an idea of which Record Groups to search.

 

In order to determine a Record Group (RG), the most important question you can ask yourself is “Why would the US Government have or produce these photos?” Think critically about the who/what/when/where/why, and see if you can pinpoint any US Government Agency and their involvement. That Agency will be the key to unlocking which Record Groups are the best places to search. Take time to explore the list of Record Group Clusters and Locations, and keep in mind not all units at NARA house records in each Record Group.

 

Sometimes you can even determine the best Record Groups to search based solely on what is depicted in the photograph you are searching for. The best way to analyze the photograph is to look closely, and try to determine what is happening in the photograph. Then, you can make your best guess about who might have been involved.

 

Now, let’s take a look at a few photographs and determine which Record Groups they may be within based solely on what we see in the photograph. We’ll point out a few important things to keep in mind as you look at a photograph when trying to determine a Record Group.

 

EXAMPLES

Photograph of Crew Chief Helping His Pilot

 

 

At first glance…

 

Without knowing too much about equipment or planes, we see a pilot being helped into the cockpit of an airplane.

Detail of Photograph of Crew Chief Helping His Pilot

 

Luckily this photograph was scanned at such a high quality, if we zoom in on his equipment, we can even see a “US.” Perhaps this stands for “United States.”

 

Detail of Photograph of Crew Chief Helping His Pilot

 

There’s also a marking on top of the plane itself, which could indicate what country the plane is from.

 

Why would the US Government have or produce these photos?

 

This photo likely served as a record of the operation of aircrafts either during wartime or during training. It recorded a moment of a pilot entering a cockpit and preparing for flight.

 

 

Guess the Record Group?

 

Since the image depicts a plane and pilot, we can narrow the Record Group to the “Air Force” section of the Record Group Clusters and Locations resource. The most likely Record Groups could be RG 18: Army Air Forces or RG 342: U.S. Air Force Commands, Activities, and Organizations. The Army Air Forces existed from 1941 to 1947, and turned into the United States Air Force in 1947, which still exists today. Therefore, RG 342 will likely have a larger body of records to review in order to find this photo, because the records in the Record Group date roughly from 1900-2003, while RG 18 dates from 1902-1964.

 

Answer:

 

Record Group 342! The image identifier number is 342-FH-3A23400-75680AC, and was taken during World War II in Italy. You can find the photograph in the online catalog.

 

 

Photograph of a Ship at Sea

 

At first glance…

 

This photograph depicts a ship at sea.

 

Detail of Photograph of a Ship at Sea

 

Not everyone is well-versed at the various types of ships, but after looking closely, it looks like there are planes onboard the top portion of the ship. This could mean the ship is some type of aircraft carrier or escort carrier. The planes appear to be older, given their shape and size.

 

 

Detail of Photograph of a Ship at Sea

 

 

Also, after looking closely at the front of the ship, we can see the number “72,” which is likely the hull number, or ship identification number.

 

Why would the US Government have or produce these photos?

 

It was important to record a ship in action to understand its usefulness to the Navy at large. While this photo doesn’t depict a battle, it is possible this was taken at wartime to depict how a ship could transport a variety of equipment, and in this case, aircraft.

 

Guess the Record Group?

 

This photograph mainly depicts a ship at sea, so the most likely Record Groups clusters would be “Modern Navy” or “Old Navy.” Within those clusters, the most likely Record Groups appear to be RG 19: Records of the Bureau of Ships or RG 80: General Records of the Department of the Navy. Because the photo appears to be while the ship was in service, it may be useful to check RG 80 first, because those would be the general record of the Navy. Typically, RG 19 depicts ships when they are first built or under construction.

 

Answer:

 

Record Group 80! The image identifier number is 80-G-364576, and the photo depicts the USS Tulagi (CVE-72). You can find the photograph on our online catalog.

 

 

Photograph of General Dwight D. Eisenhower

 

At first glance…

 

We recognize General Dwight D. Eisenhower in his uniform, speaking with another high-ranking Major.

 

Detail of Photograph of General Dwight D. Eisenhower

 

If you look closely in the top right corner, you can see German writing. Paired with the uniforms of those depicted, it is possible this photograph is from World War II.

 

Detail of Photograph of General Dwight D. Eisenhower

 

The biggest clue we can see is the emblem in the bottom right corner that reads: “Signal Corps. U.S. Army.” Moreover, General Eisenhower was a general in the US Army, which reinforces the idea that this image originated from the Army.

 

Why would the US Government have or produce these photos?

Since this photograph depicts General Eisenhower, a high-ranking official, it was likely used to document the war effort during World War II. The German writing indicates they were abroad, which also proves how it was probably used to document the war.

 

Guess the Record Group?

 

Given our biggest clue that the image is related to the Signal Corps, the most likely Record Group found under the “Modern Army” or “Old Army” heading of the Record Group cluster list is RG 111: Records of the Office of the Chief Signal Officer.

 

Answer:

 

Record Group 111! The local identifier number for this photo is 111-SC-434297 and was taken by a Signal Corps photographer during World War II. You can find the photograph on our online catalog.

 

 

Bilateral with Foreign Minister Mariano Fernandez of Chile

 

At first glance…

 

We recognize Hillary Clinton, and possibly also recognize Mariano Fernandez. If you do recognize him, you would know Fernandez served as the Minister of Foreign Affairs of Chile in the early 2000s. Then, it would be easy to place this photograph during Clinton’s time as the Secretary of State.

 

Detail of Bilateral with Foreign Minister Mariano Fernandez of ChileDetail of Bilateral with Foreign Minister Mariano Fernandez of Chile

Even if we did not recognize Secretary Clinton or Minister Fernandez, we can see the design of the room is very ornate. In addition, we can note the Chilean flag as well as the United States flag, indicating which countries are represented in this photograph.

 

Why would the US Government have or produce these photos?

This photograph would serve as documentation of the official meeting of each countries’ representatives. Since Secretary Clinton is depicted, this photograph would serve as documentation of her term as Secretary of State during President Barack Obama’s administration.

 

Guess the Record Group?

 

Luckily, the Record Group clusters list has an entire section dedicated to State and Foreign Affairs. Because this photograph depicts Secretary Clinton’s general meeting with a Foreign Minister, it is likely this image is within RG 59: General Records of the Department of State. In addition, while Barack Obama’s Presidential Library may house records related to his administration, since this photograph solely depicts Secretary Clinton’s meeting, it would be found in general State Department records.

 

Answer:

 

Record Group 59! This photo is found within a born digital series under the local identifier 59-PAD-128-DSC_2011. You can find the photograph on our online catalog.

 

 

Foresters at Work

 

At first glance…

 

In this photograph we see a man walking alongside a pile of cut trees in a forest.

 

Detail of Foresters at Work

 

If you look closely, you can see he is wearing a uniform and writing on a pad of paper. He also is prepared for his work with a pouch at his side.

 

Why would the US Government have or produce these photos?

 

This photograph is difficult to say definitively that it was taken by a US Government agency because the subject matter can also be related to private, commercial efforts. However, due to the large areas of Government-owned land, this photograph could have been used to document the efforts to care for government land.

 

Guess the Record Group?

 

Because this photograph depicts a forest, it is likely related to the Agriculture section of the Record Group clusters list. While there are agencies related to specific functions, RG 95: Records of the Forest Service, relates the most to forest activities.

 

Answer:

 

Record Group 95! This photograph depicts a forester at work in Alabama and is found under the local identifier number 95-GP-2-465015. You can find this photograph on our online catalog.

 

 

 

The photographs included in this post have no known copyright restrictions. If you have any questions about the images in this post or the holdings of the Still Picture Branch, please contact us at stillpix@nara.gov.

 

PUBLICATION OF PHOTOGRAPHS FURNISHED BY THE NATIONAL ARCHIVES STILL PICTURE BRANCH-RRSS

 

Generally, copies of photographic records held by the National Archives may be published without special permission or additional fees. The National Archives does not grant exclusive or non-exclusive publication privileges. Copies of Federal records, as part of the public domain, are equally available to all. A small percentage of photographs in our holdings are or may be subject to copyright restrictions. The National Archives does not confirm the copyright status of photographs but will provide any information known about said status. It is the user’s responsibility to obtain all necessary clearances. Any use of these items is made at the researcher’s or purchaser’s own risk.

Proper credit lines are encouraged in the interest of good documentation. They also help inform the public about government photographic resources that are available.

*Because so many of our requests for information cite credits and captions that appear in published works, the inclusion of a photo number in hard copy and electronic publications is of great assistance to both us and the public.

 

Examples of preferred credit lines are as follows:

  • National Archives photo no. 210-G-C241
  • Credit National Archives (photo no. 83-G-41368)
  • Courtesy National Archives, photo no. 83-G-41430
  • National Archives (210-G-A14)

 

If using a large number of our images, the National Archives will appreciate receiving copies of publications that contain our photographs. Such copies can be sent to the Still Picture Branch or the Library, National Archives and Records Administration.

 

You can also find this blog post on the Unwritten Record.